You’ve said that the CSI writers and producers are really kind. That if there’s someplace you don’t really want to go with the character, you can talk to them, and generally they’ll change the course or direction. When was a time that you brought up a path w/the producers that you didn’t feel comfortable with for Sara?

There have been a couple of times over the years. The first one that comes to mind—very early in the show, the writers had wanted to create a real solid tension between Catherine Willows and Sara Sidle. They started off right away that we would lock horns and that this would be a theme that would go throughout the show. Marg [Helgenberger, who plays Catherine] and I talked about it and we both felt that, since we were the only women on the show at that time, to have [us] fighting each other and jockeying for position was an area that we were hoping that [we didn’t have] to go. We wanted actually to work well together—we could still disagree on things from time to time. Certainly Sara and Catherine are very different people and they go about things differently but we didn’t want to set a tone that would last throughout the show. We went to the writers and they were kind enough to pull back on that which was great.

I felt more passionately about potential for camaraderie coming from these two women being so different instead of the opposite.